![]() If you wish to make any primary corrections, you would do it on a node before Color Space Transforms: using the technique described in this document: Here is a quick comparison of simply applying a LUT Vs. Again, we will use the Merope teal and orange LUT for demonstration purposes. ![]() On the second serial node we have just added, we will apply a LUT in a Rec709 form. The resulting image should appear unchanged. Now, on the last serial node we have just added, add another Color Space Transform, this time, selecting Rec.709 in Input Color Space and Input Gamma. You image will momentarily look bad, don’t panic □ Select the node onto which you dragged and dropped the Color Space Transform and under Color Space Transform settings, for Output Color Space and Output Gamma select Rec.709. ![]() Locate Color Space Transform, and drag it to the node. On the first serial node we have just added, we will apply a Color Space Transform from OpenFX interface. To solve this issue we will create three serial nodes: In this case we are using a Merope teal and orange LUT from the professional package for demonstration purposes. ![]() If we try to apply to it a Rec709 LUT, the result will be far from satisfactory. Once we have applied the correct ACES settings, we will get a normalised image: Here is a screen grab from a REDLogFilm – DragonColor2 footage:įirst, we will apply the correct ACES settings for this clip: In particular, we need to create two serial nodes with Color Space Transform and apply the LUTs in their Rec709 form between these two serial nodes. Using LUTs in ACES workflow requires a slight adaptation in your typical workflow.
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